Showing posts with label Free Poems. Show all posts
Showing posts with label Free Poems. Show all posts

Thursday, October 8, 2009

The Beauty of Minnesota's Autumn

The Beauty of Minnesota’s Autumn

Now droops the troubled trees
The cold sunset, darkens the leaf.

A fear so holy,

A grief, elusive,
Creates the changing of the year

The weary sigh—from long winds
Itch the sky,--with blue tints;

A dream

For a dreamers eye

What sorrow stirs in mine?
A tear, for autumn’s grave

A mist, for a winter’s sky;

In vain, in vain I rage…
“Let it be autumn once again!”

Note: (11/20/2005) There is no place on earth more beautiful in autumn (during the changing of the leaves), than

Recent Notes (2005)
Pertaining to Mr. Siluk’s interviews, and correspondents:

Note 1: Recent interview on Radio Programas del Peru, concerning his two publications: “Spell of the Andes,” and “Peruvian Poems”; (RPP; Radio Programs and Channel #6, Cable Magico)) reaching five countries, and three contient)); over 15-million people; by Milagros Valverde, 11/15/2005, 11:00 PM. (Milagors read poems from both of Mr. Siluk’s books: “Spell of the Andes”and“The Ice Maiden”.)

Note 2: “Spell of the Andes,” recommended by the Cultural Agency in Lima- Peru; located in Alfredo Benavides # 605 - Apartment 201, phone number 2428942

Note 3: Interviewed by JP Magazine, interviewer Jose Luis Pantoja Ventocilla, who had very positive comments and appreciation for Dennis’ Poetic Peruvian Traditions and Contemporary way of Life; 10/26/2005.

Note 4: Mayor of San Jeronimo, Peru, Jesus Vargas Párraga, “All mayors should recognize Dennis’ work (on his Poetic traditions of Peru; and favourable articles for the Mantaro Valley Region) and publicize it.... (paraphrased: we should not hide his work)”

Note 5: 91.7 Radio “Super Latina”, 10/19/2005, interviewer Joseito Arrieta, reaching 1.2 million people in the Mantaro Valley Region about the book “Spell of the Andes” (paraphrased): the Municipality and the Cultural House from Huancayo should give an acknowledgement for the work you did on The Mantaro Valley.

Note 6: Channel #5 “Panamericana” 10/16/2005, “Good Morning Huancayo” (in Huancayo, Peru ((population 325,000)); interviewed by reporter: Vladimir Bendezú, on Mr. Siluk’s two books: “Spell of the Andes,” and “Peruvian Poems”: also on, Mr. Siluk’s biography; for the Mantaro Valley Region, in Peru.)

*Note 7: Cesar Hildebrandt, International Journalist and Commentator, for Channel #2, in Lima, Peru, on October 7, 2005, introduced Mr. Siluk’s book, “Peruvian Poems,” to the world, saying: “…Peruvian Poems, is a most interesting book, and important….” (Population of Lima, eight million, and all of Peru: twenty-five million)) plus a number of other Latin American countries: reaching about sixty-three million inhabitants, in addition, his program reaches Spain)).

Note 8: More than 240,000-visit Mr. Siluk’s web site a year: see his travels and books…!

Note 9: Mr. Siluk received a signed personal picture with compliments from the Dalai Lama, 11/05, after sending him his book with a letter, “The Last Trumpet…” on eschatology.

The Menacing Tenant

(Ref: St. Paul, Minnesota tenants)

There is something—not sure what—that provokes a person not to respect another’s property

I have found myself, time and again repairing what they’ve ruined, felt
no need to repair themselves

When confronted about how they’ve left the place, ill will befalls them to the point they get madder than a hornet

To please these folks, lighten their load, one has to be their godfather
and endure their insults

No need to look for them, they’re scattered throughout St. Paul, whites, blacks, Mexicans (just pay the bill, I tell them)

But when we talk, to set things straight, you know—man to man, or woman to woman (my wife gets involved)

I try to be as respectful as I can be, thinking, to each his own, we do not think alike, yet, respect is not received

And some folks complain no matter what, we end up in court, and the
Judge always has pity on the Tenant, of course

When I walk away, they say to one another, “He’s gone no need to worry, he can’t do a thing, the law is on our side!”

Right or wrong, they are right, especially in St. Paul, Minnesota, Judges take the laws and fart them away

Oh, they (the tenants) like to play this game, beat the landlord, make him give in, trying to get others to play it with them

In reality neither one of us needs have a defense, just mutual respect, but that is becoming unheard of (what the heck)

My houses will never get mad at them, they knew this—that is why they break everything, yet are not willing to fix

I had put a notion to get out of the landlord business a while ago, and now I have, thank god

Let the deadheads find their own homes to wreck, and hell with the judges that act like their lawyers

But there is something in people nowadays, nonetheless, that bothers me, but I’d rather not give offence (I’ll try not to)

Something that says it’s all right to show disrespect; undisciplined yes; deadheads, could be, whatever it is

They move in slyness it seems to me, hoping not to find someone like themselves for company

Wednesday, October 7, 2009

Aftereffects

Aftereffects (In Ozark, Alabama))A Poem))

I think by now it is time for us to move on from here.

I can see the shanty huts, the ones along side the
Cemetery, dilapidated they are, in need of restoration

long overdue. The garbage has filled the air
above our small rented house, and the grass against the

fence can’t hide the cemetery or the garbage.
I’ve walked through that section, when we first came here,

over the gravestones through the tall grass, —twilight itself
shinned on my porch, the neighbor flirted with me from her’s .

I just pretended not to notice and stood outside, smiled.
I saw her move about. She reminded me of me —

when I was single and younger, long ago —
as she moved on, and away from the porch

from the screened-in door with reflections from the moon.
I confess that my insides were dropping, cramping

I kept a pretense. In it, I became different and nervous, not
wanting to crossover to her, shameful she came to me

from her mouth these words came (echoes throughout me)
“You see, my husband wants me to lay with you, and watch?”

that came from her so easier, opening a wishful door,
but I didn’t want a scar, or wound, or being numb; it would

had been the beginning, the second time —closer to the end.

Melancholy Roses

She wrote of death, and its desire

Never quite knowing if she was

Coming out or going in-

And committed suicide, like a coward

At twenty-nine (in 1962), much like

Her contemporaries: Hemingway,

Sterling, Plath and Sexton...!

Sounds in her ears, ringing,

She jumped out of the living room

Window, falling seven floors.

Gone now, like her and her lovers,

Ginsberg, and Sheila, gone forever more...

But her poems on death and doom

Surpass most poets of gloom-.

She was direct and honest:

She dragged death, like two-dogs

Pulling on the same meat-

Her dream somewhere tucked away

inside her poems-left for us to decipher.

She became part of the beat generation,

In San Francisco...and I guess that

Will have to do...! The Poet of Death,

Doom, and melancholy roses.

Tuesday, October 6, 2009

The Lone Pillars

1) The Lone Pillars

We were once a temple complete
Beyond the meadows, on top of a hill
Now just lone pillars standing still,
No mind to mind, amongst our fellow men
Everyone's taking, whatever they can;
Most taking what doesn't belong to them!
Especially Bankers and Politicians...
In America, England, Europe, China
(across Asia, and the world as a whole)
All over the place, no blood in their face;
And you and I, just looking in, wondering
What happened, what took place?
We're just lone pillars, displaced?
Waiting for a handout from the rich
As they hold onto everything, as if
They were God's given gifts.
And I'm just a poet, heart to heart
With the people, wondering why
The temple we once built complete
(so long ago, out of marble and grief)
Has fallen to its feet, as if from the sky?
Too much self-interest, by and by...!
And some executives swear to hang onto it
With life and limb; and others swear:
Try it! It is not the Golden Fleece, nor
The content that will bring you peace:
It is something that was once complete,
Now lost and sadly, beyond anyone's reach.

Note: 3-25-2009 (No: 2581) Commentary: we are heading into a world crisis, of which economics is just part of it. The world powers are gearing up: Russia, the USA, China, North Korea, Iran, Israel, and all getting ready for the big battle, the showdown and guess who is coming to dinner? The Antichrist! And for those nonbelievers, the world is simple collapsing under its own greed. Pillars of greed, it is coming to the point, why simply should the rich be greedy, we'll all be greedy, and the rich don't like that. They want the poor to have Godly values, without God, so they can be the only greedy ones. But we are at a new state in the human race, it is called Darwin's Dilemma, "Monkey see, monkey do!" The plan is old, the style, new. We are already on borrowed time, everyone knows it, feels it that is why they want to get the most out of everything they can while they can (don't you?). The world is getting greedier by the hour. Have a happy greedy day.

2) The Cornfields

Only when the sun above
Melts the scattered winter's snow
Only shall I live content
In the dim-eyed world below...
In the cornfields
With the summer's glow
Here, oh yes,
Like melted drops of snow, I
Swell, and swell, then
Melt into the cornfields,
Into one...!

The Woodchopper's Henchmen

The Woodchopper’s Henchmen

Fear has sickened them. A Wound by something—, viper–shaped: it has gnawed its way into his brain. And to be quite frank, never will the wounded reptilian know a moment of peace until he fads into the mist of silence, and becomes a trophy for royalty down in the Woodchopper’s domain; likened to all human things, we captures plant wooden veins.

It happens day or night; for myself, I live in a vague and horrific shadow, looking for dreams that lurk within ones consciousness; my friends, so called friends, for I must go along with them: nightmares, chaotic life can be an everlasting think, for the daydreamer I wish to greet.

Once sleep was a gift: a privileged feast for me: now it is a feared and haunted world; isonomic blitz. And those who know me: flee I tell them, gibbering on my ghoul like soul; with howling nameless obscenities, wanting my ear to find the demonic world for them, forever on earth. Wishing to be something more than what they were made for: with primitive, black powers galore.

Who am I, I am a man, I mean, was—I still think like one, perhaps I still am—for I was normal: with a history that was solid—and life experiences were common, all cut away like an angelical cord (like Satan’s was), to join the reptilian race in the pale abyss from which: yelping, and garnishing of teeth never cease: we are the monsters: nameless monsters of the deep.

So what haunts me, you ask (?) ushered in by the sound of horror, which I utter. A strange behavior do you not think (?) you who have savage tastes, a pale twilight, who shuts down with a chill of the wind, creeping up his spine from a drowning sea; you who like ordinary, now here is the strange: me. Primitive, describes me, but powerfully felt. I shall transport you into a darker age, mine, and you will look to see the huge shadows, the hairy dying, the man-like grasses that stem from the woods; we cut you down, once we plant you in the ground. We creep up, when you are tall trees, with hatches: grip you, then reshape you: eternally.

At such a moment, in such an ambiance, I will stand, and suddenly—if not interrupted—I will ghoul-like, or demon-like, or some beastly creature-like, I will appear on your narrow shadow: not far from where you are planted, head down, on this preoccupied ground, I swing my hat (off), and ax, and like dust and hair, and woodchips of mass, I make a trail of blood out for your figure: tree and grass, tree and grass.

What can I do, I’m the Henchman, the Master’s Woodchopper, and you are the wood, a stocky typical flesh wood, bent and gnarled from old age, on earth. Sometimes I will stand on a neighbors shambling shoulders, where fagots are eating his roots, and as I fall I cop plainly into the twilight shadow you leave in front of me; boredom has its paroxysms.

—I did meet one, a bright, blue-eyed fella, so often found in the Midwest, of the United States; up there in Minnesota, where there are a lot of trees to cut, and people too.

Now this man was very close to me in the woods, he was kind I guess in his own way, he stopped to let me pass on the path. The blue eyed man jerked his head up, and he seemed to be aware of my tasks, perhaps some kind of second sight. He wanted to transpose my head on his. I read his mind. Peculiar was his gesture, frozen now in a stance, as I walked up the path. Lips quivering, terrible; he screamed: ‘unseen beast’ (that’s me I said, with a reptilian sneer): he lurked up, and ran toward me, ah yes, I was bewildered, but not shrieking, I made no move to stop him, saw him coming, his blue eyes glaring at me wildly though the dusty path).

“Stop,” I said to him, “lest you want to be a root,” I was most kind, for he gave me the right away. But he was approaching me quite fast.

“Devil man,” he cried. And my old ax came out from my hidden side.

“You’re mad,” I yelled back at him from, he now being but a few feet from me; but he only laughed insanely.

“Die, die, die,” he cried, and laughed like an unharnessed horse: not sure if that was for him or me, I was dead to the fleshly world anyhow, just on an everlasting mission.

Now standing next to me: face to face, his eyes were no longer blue, fading to root-darkness; my passion got strong, and I shouted:

“Step back! “ Assured I would soon chop him up.

“You are not my breed,” I told this needing to be: a devil-man.

His eyes turned to gray, and then dark-yellowish-red: no longer was there a healthy tint to his deathly smile.

“I am not insane,” he yelled, standing in front of me.

“My place is no place for men like you,” I said, as he followed me down the path. My speed at night increased, as he followed, until I was deep in the woods, of ‘noname’. He thought it was still in Minnesota, but it was not. If there ever was an intended plot to this, he was becoming it.

A rumble of the earth now slacked his pace, and I slowed down to the star lit twinkling of the night. We were now in the forest of the Woodchopper: my ground; and all the roots and men were plainly not visible to him; they were (to me of course, and to be :) furnished furniture, in the King’s room, the maniac and well—, my un- mannered ruler.

“I’ll rest,” I old the fella, and down we sat. “You are welcome to stay as long as you want,” so I said to him with a ‘thanks,’ for giving me the courtesy, of letting me pass first (ahead of him) on the path, but restless now I was, and was hell; for hell wanted to see what next would transpire. (They also were famished for want of entertainment.)

Unimpressed, I felt over saturated with his bellowing for his passion, his passion being an upside down crucifix, around his skinny chicken-limp neck. All I knew was my king wanted a new wooden throne or perhaps a chair (since he didn’t like his bellowing either)—and I needed to grow the roots: fleshly roots are what make a demons throne you know. He shook his head at me, and I knew he could see: see—what now, was coming; and he leaped in the air, to run, and my ax cut him down (like a bloody hound): enough problems I said, with such a voice like his; thus, I cut out his tongue as well. And now he’s silent, dwelling in the lodge (as a chair), deep in the Woodcutters Hell.

Wednesday, September 30, 2009

Beach of Wisdom

I had a dream that I was walking in the sand
Barefoot-
And alone

The hot, red, fiery ball of a sun
Was setting below
The pale orange sky

And it seemed to be melting into the
Dark, blue ocean
Right before my eyes

Shallow, cool waves washed over my feet
And wet sand squished
Between my toes

Ahead of me was a deep black darkness
And I was unsure of what
I was walking into

I hesitated, and then looked behind me
My footprints behind me were disappearing
One by one

For a moment,
I was frightened
And I stood frozen

I looked ahead once again
Into the blackness
Wondering what the future held

Then I looked behind me as my last track disappeared
Thinking of my past
And where I'd been

A warm tear trickled down my cheek
And with a feeling of complete hopelessness,
I looked at where I was now

And once again I saw the sun
Halfway hidden
Below the horizon

I saw the distorted
reflection
In the calm blue ocean

Seagulls flew over my head
And waves still
Lapped at my feet

I smiled then, because I realized
It doesn't matter where I've been before
And where I'm going isn't important

The only thing that matters
Is where I am
Right now

I shouldn't take the present for granted
Or waste a single moment of precious time
With worrying

Instead I should relax,
Watch the sunset,
And wait for the tide to come in...

Meeting Robert Bly

When he meets people, people who appreciate poetry

perhaps in particular, his poetry, or his friends poetry,

or just poetry in particular, to him, (Robert Bly)

this is what it’s all about! The multi rhythm in people,

the actions, the warmth, the voice, the cold, and the face—

he sees it all and more, it is all poetry to him, 24-7…

it’s his bread and water, his wine and song,

his reason for living beyond the unknown.

I have read all his poetry, his eyes and soul look deep into

the abyss, concentrated his hands remain steady,

his mind never escapes his eyes and heart, and thinking.

Meeting another person is a big thing, it is a new path

a new song, perhaps a new foundation somewhere yet to be;

it is all we have here on earth, in this time period, you and me.

It is simple how it works, so it seems, or so it should be,

and perhaps he found the essence of life, the secret of living, between human beings. He
re-examines the nature and function of man, man being his poetry, he goes even further,
traditional distinctions between high and low, he lives inside his language, a physical world, in
imagery, his external reality, it is all in his face, his hands, his smile, his poetry.

How to Write the Perfect Wedding Poem

What better time or place to write a poem than for a wedding. The right wedding poem can serve any number of wonderful purposes. It can highlight the reception as a toast to the bride, groom, or their families. It can serve as an added personal touch between the bride and groom when exchanging vows. It can even be a great addition to invitations or announcements for the wedding. Whatever purpose a wedding poem serves, it is sure to be well received. The only hard part is writing one.

Famous Examples of Wedding Poems

There are not nearly as many poems written directly about weddings as some other important events. However, there are plenty of examples available of love poems and friendship poems that capture the essence of a wedding and of the feelings a bride and groom have for each other.

Elizabeth Barrett Browning's incredibly famous (and slightly overused) "How Do I Love Thee?" has been used in wedding ceremonies for decades, while the simpler and more elegant verses of Emily Dickinson are a popular addition to wedding vows, especially in "It's all I have to bring today."

Starting on Your Own Wedding Poem

The first step to writing any poem is to know your audience. Who is the poem being written for? If it is a future spouse, it should be imbued with as much emotion and personal touch as possible. If it is for the bride and groom from a best man or maid of honor, it should be reverential and keyed to the friendships that exist. If it is for the families or friends attending, it can be nearly anything so long as it mentions friendship and cracks a few jokes in between.

Writing the Poem

The next step though is the most important. Crafting a poem is hard. It takes a lot of time, much more than the few short lines would make it seem. The best way to start is to write down everything you want to say in prose. No matter how much you have to say, write it down in as simple a form as you can. Don't worry about the flowery verse yet. That comes later.

Next, start selecting the bits and pieces that have the most important position in your wedding poem. Any words you find particularly compelling should be written down as well. Poetry is art with words, don't underestimate the power of a well placed word.

The poem does not need to rhyme. Nor does it need to be metered or in any kind of form. It just needs to be well thought out. Read it over and over and ensure that every line is important, every word has a place within the meaning of the poem. If the context is wrong or too many syllables jumble up a line, move them around. It will likely take half a dozen times reading and changing your poem before you begin to come close to being happy with it. And you may never be happy with the final wedding poem, but then no poets are.

The Song of Vietnam

For ten years together, the Presidents of the United States,
the Lords and Kings of other countries tried to subjugate
the lands of Vietnam.
From the inner southern jungles to the sea-coast they had
conquered most all the land; although,
the north was there before them, left to sand.
Yet, there was no town nor village uncrushed by this plight,
save only Hanoi that stood on the north's side.
And at the war's end, even they, the American's bombed
that city, in which no beauty was found
no love for democracy, or the Christian God; they worshiped
Buddha and Confucian traditions.
Nor could they shun the evil fortune that beleaguered them
thereafter.

II.

The Armies were gathered more than five-hundred thousand
men: not counting the enemies (this was the forth occupation,
one with Japan, China and the French, now America).
"Here now has come the President of America," cried the Vietcong,
"to our land to overthrow us!"
They had no equal in weaponry to meet the Eagle with its might,
nor enough henchmen to beat them in any fight.
But a wise man gave them counsel, saying "Wait...
time is not a virtue to the enemy, it brings to them, a slow death
among their kind, and shame."
All listened, save the Americans and they came, and came and came

III.

Among the wisest this man was known to be, called,
Hoe Ch Minh (revolutionist, statesmen)
And a good vassal, he seemed to be, a man of humble beginnings.
Shrewd he was, and skilful, politically cunning,
And he spoke unto the king of France, on a treaty.
(But to be dismayed soon thereafter.)
"But send us Chiang Kai-shek," he cried, but Chiang Kai-shek
traded Chinese influence in Vietnam for French concessions
in Shanghai, from the arrogant and strong,
and so for the man who once was a cook, and chef,
with promise and faithfulness, service and friendship, he
leaped forward and long, and his dogs fought the lions,
five-hundred thousand of them, like hawks they came well
equipped.

They came with the dollars, and the grit, muscle bombs,
hundreds and hundreds of them, they came like hawks.
And more dollars wherewith to pay the soldiers,
Of his people, three-million would die, perish, by bullets,
mines, Agent Orange and bombs, and much, much more
They couldn't die straightway, but they didn't die like
beggars in their own land, but with honor and dignity.

All My Heroes are Drunks

(A Love Poem for the writers)

If you are young, and drink, or use drugs, you're a fool, if you are old

I suppose, it might do...! Sometimes its takes booze to talk to fools.

The only thing worse than booze, is suicide. It no longer offers pleasure,

Only veils loneliness, and attempts to escape. I drank for

Many years, and then, for many years I didn't, but it

Haunts me, it has its own mind. Drinking starts with a word

And ends with a word. I never could think straight, I

Guess that was the premise of it all. I

Laughed, talked and danced, and was

Never sure with whom. I never

Knew my potential

Until I stopped drinking...!

For my Heroes (all writers and all drunks):

Truman Capote (1924-1984) 59-years old at death

RAYMOND CHANDLER [1888-1959] 71-years old at death

FREDERICK EXLEY [1929-92] 63-years old at death

JACK KEROUAC (1922-1969) 47-years old at death

JACK LONDON (1876-1916) 40-years old at death

F. SCOTT FITZGERALD (1896-1940) 44-years old at death

EDGAR ALLAN POE (1809-1949) 40-years old at death

WILLIAM FAULKNER (1897-1962) 65-years old at death

ERNEST HEMINGWAY (1899-1961) 62-years old at death

HUNTER S. THOMPSON (1937-2005) 48-years old at death

- CHARLES BUKOWSKI (1920-1994) 74-years old at death

It Could Have Been Different

It Could Have Been Different

I kind of rolled out of
bed, on two wobbly
legs this chilled February
morning in Minnesota.
I bid my wife
farewell, as
she went to work at the Post Office.
I went to the bookstore
café, had brunch
(a cheese sandwich and coffee;
not unusual).
The afternoon faded
into evening quick.
It could have been different,
I know.

Around 6:00 PM, I had some
chicken soup. Read some
Faulkner (a chapter
or two).
Wrote a short story called:
“Long sided Cat eyes.”
Then met a friend,
Gene,
we talked about white-teeth
(on the Oprah Show
last night)
and a dog with one
leg,
and we laughed
whole heartedly.
It could have been different,
I know.

Now I’m sitting here
alone. In an hour I have
to pick up my wife,
take her and myself
home.
We have plans for
tomorrow,
next month! but
it could be different,
I know!

[Some thought on what Poetry is for Me]: I know more of what poetry is not, than what it is; having said that let me add, for me it is an expression, and one we use to affect, get affect, for affect. If the poem has no influence on you, it is not your cup of tea. There seems to be a spirit in a good poem: concentrated with its best of best words. My poems are not about what should be or should not be, rather what is; bleak at times like the dark side of he moon, and bright at times like the sun. Part intelligent but mostly heart; set in some kind of order (usually): which stretch from the graveyard to the gates of heaven. I do hope you enjoy them; I’ve enjoyed writing them [for 46-years]. Dennis

IN SPANISH
Translated by: Nancy Penaloza

Podría Haber Sido Diferente

Yo en cierto modo estirado fuera de
Cama, sobre dos temblorosas
Piernas esta mañana enfriada de

Febrero en Minnesota.
Me despido de mi esposa, mientras
Ella se fue a trabajar en el oficina postal.
Yo fui hacia la biblioteca
Desayuno, tuve un desayuno almuerzo
(Un bocadillo de queso y café;
Poco común).
La tarde descolorida
Dentro de un atardecer veloz.
Podría haber sido diferente,
Lo se.

Alrededor de las 6:PM., tuve alguna
Sopa de pollo. Leyendo algo de
Faulkner (un capitulo o
Dos).
Escribí una corta historia llamada:
“grandes ojos de gato”
Luego encontré a un amigo,
Gene,
Nosotros hablamos acerca de dientes-blancos
(En la exposición de Oprah
Anoche)
Y un perro con una
Pierna,
Y reímos
Con todo el corazón
Podría haber sido diferente
Lo sé.

Ahora estoy sentado aquí
Solo. En una hora tengo
Que recoger a mi esposa,
Y llevarla conmigo
A casa.

Tenemos planes para
Mañana,
¡El próximo mes! Pero
Esto podría ser diferente,
¡Lo sé!